TVS Jupiter User Reviews, Ratings And Experience @ ZigWheels


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The cables are also detachable which is a big plus for long term durablity. There’s an assortment of tips, mainly foam are included as I’ve been told Campfire believe their IEMs sound best with foam tips, Campfire have gone the distance including some genuine Comply tips as well. Can’t say I used any myself as I defaulted straight to silicon. They do include some silicon tips however if you wish to use them.

There are two included cables, a 3.5mm trs cable for single ended use, as well as a 2.5mm trrs cable for balanced use. The cables provided are the ALO tinsel cables which are, in fact, upgrade cables by themselves. When the Jupiters showed up at my house I was even more impressed by them in person. Not only are they better built than any other IEM’s that I’ve seen, the look alone is breathtaking. They look and feel kind of like shiny steel cable, but they are soft on the skin and very flexible. To summarise all this I would say that Campfire Audio have 100% nailed the product they claim to be providing — none of it is marketing hype, it’s all true.

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The Jupiter sliced through the cacophony of guitars and vocal layering with exceptional separation and soundstage projection. Each instrument was crisp and all frequencies were well balanced so as to prevent overshadowing of intricacies. The Jupiter also excels with micro-detail retrieval which is similarly strong as the ie800 but more consistent due to the Jupiter’s more natural, bodied sound. The Sennheiser does sound a little glossier and consistently clearer in their midrange, however, the ie800’s thinner vocal body errs more on the side of raspiness rather than smoothness like the Jupiter.

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However, none of these totally hampered my listening experience. Kicking off with some Ne Obliviscaris, the Jupiters portrayed the complex progressive black metal as I expect the band intended. Quick guitars and drums, and the SagaDating code exchange of death growls and soprano usually leave headphones and earphones struggling. The Jupiters not only kept up with the speed and complexity, but managed to provide great instrument separation and a sparse soundstage.

Resolution may lean towards A12, but the Jupiter fights back with better tonality. The treble on the Jupiter comes with surprising amounts of energy coming from the mids. Maybe a hair above strict neutrality but below the bass in terms of emphasis. Treble timbre is precisely rendered and clarity is excellent, middle treble and upwards is somewhat emphasized over lower treble, preventing the Jupiter from becoming too laid back sounding.

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It is angled perfectly like the 64Audio earphones and has 2 sound tubes which similarly improves phase and separation. The nozzle is quite wide, accepting T400 sized Comply foams, and relatively short though it is fluted and holds tips very well. I wouldn’t be concerned in the slightest of the Jupiter’s durability, they are just as trusty and hardy as a well-oiled rifle. Industrial but unique, strikingly angular but forgiving on the ear, Campfire’s locally sourced and machined housings are a work of art. There are few earphones that really stand out from the usual negative profile pod shaped earphones and fewer yet that I could observe for hours on end, but Campfire’s armature-based earphones are definitely among them. With 3-piece machined aluminium housings hand assembled in the United States, the Jupiter achieves a level of aesthetic intrigue and in hand solidity matched by very few earphones.

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If, however, you are looking for an earphone that accurately recreates the sound of live music and real-life instruments then you should probably look to something with a bit less treble and a bit more bass — something like the Noble K10, Audiofly AF180 or Shure SE846. I’d say that the treble-emphasis works for and against the Jupiters here. The extra treble creates some cues that stretch beyond the listener’s ears which can be really fun, but at the same time it keeps drawing my attention to the soundstage is unevenly shaped. It’s like most things fit in a nicely defined, oval-shaped 3-dimensional space, but then 2-3 sounds in each track seem to be outliers, just beyond that soundstage and it’s not entirely natural. I’m being picky at this point so take this as a way of saying that the Jupiters are almost perfect rather than absolutely perfect when it comes to staging.

And the Jupiter is no different, it manages to be almost as captivating due to its adoption of the same TAEC used by the Andromeda. In a little more detail, Campfire are implementing a 3D printed sound chamber that is touted to improve high-frequency extension, I’m assuming it reduces resonances or something along that path. The result in subjective listening is an incredibly spacious and separated response that is among the best fully sealed in-ear monitor’s I’ve heard.

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